Directed by Maria Galliani Dyrvik, in Nigeria’s Niger Delta, where oil extraction has poisoned the land for decades, poet and activist Nnimmo Bassey nurtures a new generation of writers to fight back. Also featuring: Odudu-Abasi Asuquo, Ukpono Bassey, Erabanabari Kobah and Barinedum Cecilia Mbee.
It’s always a great change of pace to see documentaries which truly focus on the fighters, rather than just the fight itself, when it comes to protest. That’s exactly what Maria Galliani Dyrvik does with Hope is a Word, she examines how long-term issues require new generations to continue to step forth and find ways to push back against injustice. In this case, it’s poetry and music, fighting the good fight with rhyme, passion and expression.
Having that big theme of poetry running throughout gives Hope is a Word a very eloquent, elegant foundation. Through Nnimmo Bassey’s work we see not only the power of the word but its cathartic nature. The poetry they create is not simply about speaking up against the injustices but is also their way to process the harm which has been done. Creating this interesting blend of rebellion and dealing with the weight of the issues and the difficult emotions involved.
However, as time goes on, with relatively little time spent exploring the injustice at the root of their protest, eventually Hope is a Word can feel like a lot of the same. It moves in a humble, thoughtful manner, and it’s undeniably pleasant viewing but it doesn’t always come across as if it’s moving forward or building upon itself. Although, there is a moment later on which creates an interesting shift of intensity as it briefly highlights the intentions and tactics of the powerful people involved in the conflict.
Hope is a Word creates a lovely way to portray that learning to use your voice is powerful. There’s a strongly earnest style which matches well to the documentary’s poetic nature. It’s really nice to explore different examples of protest and how it can be such a positive influence and outlet for the community. Although it can perhaps feel a little too gentle, and might have benefited from balancing its time further, delving into the conflict as well as the poetry, to truly understand what lights the fire beneath these artists.
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