Written and directed by star Joel Potrykus, two friends take a trip through a Michigan forest, intent on carrying out a disturbing pact. Also starring: Joshua Burge, Bill Vincent, Solo Potrykus, Jaz Edwards, Sherryl Despres, Scott Ayotte, Melissa Blanchard, Dennis Grantz and G. Foster II.
Watching a film like Vulcanizadora which is so terrifically original that you have no clue where it will take you is always an absolute joy for any film fan. It’s impossible to predict because it’s making such unusual choices both visually and thematically. Early on it’s straying away from its characters, playing around with the perspective, not committing to anything just creating this curious atmosphere which is tinged with darkness and sadness.
There’s such a unique balance of tones at work with Vulcanizadora, there’s a strange, slightly mysterious tension to it but it’s also playful. It has a somewhat nervous energy and a lot of purposeful awkwardness which is very well done. There’s also something a little twisted about it, which blends so unexpectedly well with its themes of vulnerability, fragility and friendship. There’s a disarmingly profound quality to Joel Potrykus’ writing, it slowly sneaks up on you then the ending strikes to the heart. Exploring ideas of failure and responsibility, reflecting on what you have to offer society or the people around you, and vice versa.
Those qualities pair excellently with the directorial style from Potrykus, it has a very old-school feel, hitting some nostalgic notes. Along with the nicely softened cinematography from Adam J. Minnick, it adds a naivety to the atmosphere, giving these troubled men a childlike edge without making them feel obstinate or clueless. Bringing through sporadic bursts of metal was another great choice, it feeds into the tension superbly. It’s another example of the level of consideration which has gone into each of the choices made to create Vulcanizadora.
Another choice clearly being the casting, starting with Joel Potrykus himself then pairing him with Joshua Burge was perfect. The two of them have this quietly deep connection, it’s beneath the dialogue and communicated fairly delicately. They have very different personalities and yet are quite similar men, they’re each battling their own emotional and monetary issues. Potrykus’ Derek has a simpleness to him, an enthusiasm and gentleness. While Burge’s Marty is surprisingly complex in an understated way which is brought to life brilliantly by his performance. The two of them are chaotic and broken, and it’s captivating to watch.
Vulcanizadora is an unexpected delight, it’s decidedly weird in the best of ways but it’s also filled with sadness and exasperation with life. Joel Potrykus has created something utterly original and wonderfully unique, it’s unpredictable and incredibly thoughtful. The direction and cinematography are surprisingly gentle and nostalgic. The writing is creative and strange, while the performances are exceptional and hold a hidden depth. It has a dark edge and yet a keen naivety, it’s such a bizarre blend but everything is so purposefully chosen that it works remarkably well. This film is a prime example of what independent film strives to achieve.
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