Directed by Alvin Rakoff and written by Peter Yeldham, based on the novel by Douglas Hayes, Charles Byrd, known as “Chick”, has spent his adult life acting in small repertory companies all over the UK, and he’s never had much luck. All too aware that he’s no longer young, Chick makes one last stab at finding success in London. Starring: Kenneth More, Cecil Parker, Dennis Price, Billie Whitelaw, Norman Rossington, Angela Douglas, Edmund Purdom and Frank Finlay.
When it comes to classic cinema and you’re sitting down to watch a film from the 1960’s, you can generally have a decent idea of what you’re in for, then occasionally you’ll find a film ahead of its time, The Comedy Man is one of those films. While it may start out silly and with a c’est la vie styled charm, eventually it unravels itself to explore the idea of pride, money and principle versus survival. It somehow manages to move between physical comedy and sincere sadness, it’s an impressive blend. Feeling like it fits in a similar universe as 1966’s Alfie, but thankfully without the unbearable misogyny.
In the same way that the story evolves, so does Alvin Rakoff’s direction, particularly in the latter scenes of the film. It moves from the expected to almost a manic, inward spiral which adds a surprising note of intensity, pushing its leading character to a realisation. Having that variety and fluidity sets it apart from a lot of films of its time.
One thing that doesn’t, is starring the prolific and beloved Kenneth More, who yet again brings his typical charm to The Comedy Man. He was always gifted at creating characters with big personalities but also genuine depth, and that’s exactly what he brings to Chick. He’s relatable and funny but also slightly broken which is interesting to watch unfold. All eyes are on him but there’s also a great ensemble behind him. Particularly Billie Whitelaw, who has such a grounded, generous and kind presence.
The Comedy Man gives the iconic Kenneth More another brilliant excuse to show off his talent at being both funny and complicated. It’s a superb blend of drama and comedy, becoming surprisingly bleak as time goes on. It’s well written, well shot and has an excellent cast, it stands out from the crowd of 1960s British cinema and creates something that’s both entertaining and layered.