Directed by Joseph Losey and written by Evan Jones, John Wilson and J.L. Hodson, during World War I, Army Private Arthur James Hamp is accused of desertion during battle. The officer assigned to defend him at his court-martial, Captain Hargreaves, finds out there is more to the case than meets the eye. Starring: Dirk Bogarde, Tom Courtenay, Leo McKern, Barry Foster, Peter Copley, James Villiers and Jeremy Spenser.
Jumping into King and Country, it’s hard not to think of Kubrick’s Paths of Glory, but as the film moves forward, it develops an unusual sense of humour. It’s unexpected but extremely well written, creating this not quite surreal, not quite satire but hyper aware edge that ultimately enhances the emotions at play in the story. That British comedy vein helps things to never become too dower and to help connect with the characters more strongly.
That relatable tone is then balanced by the larger story at work exploring the inhumanities of war behind the front lines. It’s surprisingly affecting and does not pull its punches, building a deep sadness which ends with a harsh, memorable blow. Joseph Losey’s directorial style is unsurprisingly strong, he always had a talent for building an impressive atmosphere. He creates a compelling intensity and the movement and variety of his shots feel slightly ahead of its time.
Its intensity is then wonderfully enhanced by the performances from its excellent ensemble. Starting with Losey regular Dirk Bogarde, who is absolutely brilliant in his role as Captain Hargreaves. There’s a complex quality to Hargreaves, evolving as the film progresses and always having a new side to him, some of which can be genuinely shocking. Next is a young Tom Courtenay in the early years of his career, giving a beautifully naïve and lost performance as Arthur. He presents the type of character that you instantly want to protect and to watch him go through this ordeal, simply for struggling to get through years of war, is heart-breaking.
King and Country is a captivating, unexpected exploration of war, momentarily forgetting what goes on in battle and portraying the horrors that lie in wait behind your own lines. It’s led by a melange of brilliant performances but Bogarde and Courtenay steal most of the limelight. It has a strong atmosphere, an unusual sense of humour and an engaging intensity.