Written and directed by Yiru Deng, using tunnel vision, a symptom that narrows one’s field of sight as the main metaphor, the film reveals the female experience of intense pressure and lack of autonomy within East Asian families. The film questions traditional values that can result in generational trauma.
Getting the obvious out of the way first, Yiru Deng’s use of Tunnel Vision as a metaphor for women suffocating at the hands of overtly traditional societies and becoming trapped in a cycle of patriarchal oppression which they ultimately pass on to their own children, hits the nail squarely on the head. It works perfectly, it has plenty to say, it’s impactful and meaningful. There are of course, other metaphors within that which are similarly well done. The concept and execution are both extremely effective and have a terrific clarity.
Then there’s the animation work, which is fantastic. The way that it moves is so satisfyingly smooth, the transitions are seamless and brilliant. Using them to speak to the perspective of the story and its progression was a great choice. The aesthetic has such a clever mix of textures, creating an interesting wave of sharpness and softness to accent the story. Bringing through harsher angles to add intensity, as well as employing a superb, vivacious use of colour. As well as how its scenes physically blend into one another in a wonderfully morphing fashion.
It’s all supported by an affecting score from Carlos Duran, there’s something very classic about it. The way that it holds such an elegance and tenderness which really helps it to tap into the emotions of Tunnel Vision. There’s a thoughtful nature to the film, particularly in how this feels like a harsh tale made with hope. You’re able to recognise and appreciate that balance, the recognition of trauma and damaging behaviours and cycles, but also the search for freedom and view toward a brighter future.
Tunnel Vision is a phenomenal piece of animation that’s able to say so much, so well, within such a short amount of time. It’s filled with creativity and consideration, Yiru Deng builds an affecting atmosphere, the short has a great intensity and the way that it moves is almost hypnotic. Especially because of that use of tunnel vision, it creates a fascinating fluidity to the film which is mesmerising. It’s incredibly well made on all fronts, highly imaginative and engagingly thoughtful.
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