Directed by Laurie Bisceglia, “Happy, happy, who cares.” After undergoing the major surgery that is torsoplasty, he will no longer worry about what the world might think. Reclaiming his body, completely, is the only thing that matters. Clair Faravarjoo journeys through his emotions: apprehension, euphoria, melancholy, gratitude—not at seeing his body change, but at recognizing himself. Finally. And for the first time in his life.
Films like Room 206 feel entirely necessary to portray the deeply meaningful nature of transitioning for Trans people, how they can move from such anxiety and unhappiness with themselves and their image, to finally finding comfort and confidence. As well as capturing the time, the fight, the thought and careful consideration, not to mention the often endless conversations with relatives who might be at odds with your decisions, which go into making that transition. Clair’s journey, even seeing in it these brief moments, is very clear and it’s incredibly moving to watch.
While entirely on its own Clair’s story is already touching and charming, it’s undoubtedly very well complemented by Laurie Bisceglia’s directorial style and the cinematography. One element which stands out is the yellowish, sunset style hue which many of the scenes are layered with. It’s warm, sweet and contemplative, making those scenes feel like elevated home-movies, they have the intimacy and candidness but with added atmosphere. There’s also a romantic edge to it, the way Bisceglia lingers on Clair and the great use of close-ups, which considering how often they can be poorly or over-used these days, was a refreshing change.
Coming in at just over fifteen minutes, it uses its time well, there’s a casual nature to the flow of Room 206 but it also manages to cover quite a lot. There’s a subtle score that weaves its way into the background which is a lovely addition. It holds a great intimacy and openness, in no small part due to the honesty of Clair, it never feels filtered, his presence always feels natural. Not to mention that his excitement about taking this step is adorable.
Room 206 manages to create such a perfect visual to match the tone of its story and subject. It’s filled with warmth and empathy, the atmosphere is intimate and almost romantic but also captures Clair’s apprehension about the surgery. Laurie Bisceglia does a great job of showcasing Clair’s endearing personality as well as ultimately how that opens up even more after the surgery, and you can feel the permeating sigh of relief. It’s moving, endearing and meaningful to allow viewers to share those pivotal moments with him.
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