Directed by Robert Sarkies and written by Fiona Samuel, in the aftermath of an explosion that rocked the Pike River Mine and took the lives of 29 West Coasters, two women step up to fight for accountability. Starring: Melanie Lynskey, Robyn Malcolm, Erroll Shand, Madeleine McCarthy, Jordan Mooney and Ben Porter.
No matter if it’s a leading role or a cameo, having Melanie Lynskey in a film makes it unquestionably worth watching, but Pike River is in fact a wonderful example of the depth and range that she has. She can deliver such utterly heart-breaking emotion, she can be unbeatably relatable, funny and bring such a deep sincerity, this role taps into all of that.
Her performance is so humble and powerful, alongside Robyn Malcolm’s Sonya they portray the power that lies in the hands of everyday people, when they’re willing to fight and never give up. Lynskey and Malcolm create a wonderful friendship, and both portray very different kinds of vulnerability and pain. They’re endlessly captivating to watch together which is a lot to do with their talent but also the meaningful nature of this story. They also have some wonderful support, particularly Lucy Lawless who has a brief but highly impactful role. As well as a brief cameo from former Prime Minister of New Zealand, Jacinda Ardern, playing herself.
The Pike River Mine disaster may not be known by a lot of people outside of New Zealand, but it should be, as Pike River decidedly captures the importance of those events. It’s an exploration of responsibility, respect and how capitalist entities can try to place themselves above the law, and insultingly undermine the suffering of others. It’s a story of many parts, it may move slowly but it has plenty to sustain its just over two-hour runtime, following Anna Osborne (Melanie Lynskey) and Sonya Rockhouse (Robyn Malcolm) through years of fighting to put their loved ones to rest, and to help prevent other families experiencing that same turmoil.
The style that Robert Sarkies brings to Pike River adds an edge of thriller, early on there’s something to it that reminds of Top of the Lake, an underlying tension and threat, without ever really moving from its dramatic roots. Something that’s supported by some excellent visuals, particularly in the opening, having those sweeping landscapes sets the tone for the whole film, immediately creating a strong, compelling atmosphere. Something that’s then in turn complemented by the editing work, helping the film consistently move forward and expand.
Pike River captures one of countless occasions where women have been told to be quiet or to step aside, have refused and loudly and bravely fought for what’s right. Melanie Lynskey leads the way with such a deceptively sharp performance, portraying Anna’s intelligence, resilience and determination. She’s beautifully paired with Robyn Malcolm, their unlikely friendship blossoms into something genuinely moving. Robert Sarkies’ direction is terrific to add a layered atmosphere without losing its strong connection to an earnest, everyday reality. Fiona Samuel’s writing is captivating and heartfelt, doing justice to Anna and Sonya’s story.
FilmCarnage.com 