Written and directed by Ryan J. Smith, an ambitious music producer races to finish his debut album under a make-or-break record deal, all whilst navigating a tumultuous family life. Starring: Harry McLafferty, Neizan Fernandez, Rhiann Millington, Kyle Passmore, Charlotte Dalton, Ryan Davies, Nicole Evans, Jake Waring and Latasha Arnone.

When picking a location for an opening scene, shooting in an attic (or loft, depending on where you’re from) probably isn’t one that quickly comes to mind, but it was actually an interesting choice from Ryan J. Smith. It’s something simple yet there’s a lot going into it which signify the quality of Smith’s direction. Particularly that it’s a cramped, dark place which isn’t usually ideal but making the right choices with camera placement and lighting change that entirely. The result means that instead of being clunky or claustrophobic, it leans into the nostalgia and sentiment typically found in forgotten items and kicks off Kid with a big note of warmth.

That’s something which continues all throughout the film, the tone and atmosphere that Smith establishes is built upon grounded, gentle qualities. It was absolutely a smart choice to keep Kid fairly contained, both in creating a sense of intimacy and in not trying to stretch itself too far within budget, time and locations. Arguably, the direction is the most consistent element that the film has to offer, there are good choices made all throughout.

However, the writing doesn’t quite manage to strike that same consistency. The dialogue can struggle at times and while the foundation of the story is definitely a good one, matching those qualities of the direction, the progression can feel unbalanced. It nicely taps into a humble air and there’s a kindness to it, but the pressures and stresses feel like they’re not coming through strongly enough. Particularly in the latter half, when the pressure is building and yet it feels like the character strays, acknowledging the looming deadline while actively shifting focus from his work to his personal life. Added to the fairly slow pacing of the film, it feels somewhat uneven.

Similar could be said for the performances, Harry McLafferty gives a solid portrayal and creates a sweet, old-fashioned character but he can weaken with the more intense moments. He gives an engaging performance but when conflict arises, it doesn’t feel as convincing. Rhiann Millington also tends to fall more on melodramatics which tends to be at odds with the quieter nature of Kid. Neizan Fernandez is the surprise here, playing a typically masculine, physical character but slowly he reveals layers which are touching, thoughtful and patient.

Kid explores the daily grind of trying to build success from your own bedroom. Ryan J. Smith’s directorial style is thoughtful and earnest, the story is heartfelt, grounded and tender. Harry McLafferty gives a sensitive, relatable and kind performance while Neizan Fernandez brings an unexpected depth. Ultimately, it feels let down by the progression and pacing, it’s moving a little too slowly, some of the plot points feel unbalanced and the ending feels a bit too easy. It’s strongest in its quieter moments but struggles to build a bigger tension to its conflict and pressures.

Verdict: ✯✯✯ | 6/10

Available now on Amazon Prime Video | For more info visit skintfilmcompany.com