Directed by Sean Price Williams and written by Nick Pinkerton, a picaresque journey through the cities and woods of the Eastern seaboard of the U.S undertaken by Lillian, a high school senior from South Carolina. She gets her first glimpse of the wider world on a class trip to Washington, D.C. Starring: Talia Ryder, Earl Cave, Simon Rex, Ayo Edebiri, Jeremy O. Harris, Jacob Elordi, Rish Shah, Gibby Haynes and Jack Irv.
One thing that cannot be ignored in any conversation about The Sweet East is that this is not a film for everyone, it’s very unique and niche. That’s not to say that it doesn’t have plenty to offer, if you’re open to obscure independent, modern, young and erratic cinema, then you’ll enjoy its remarkably odd charm.
Now getting that out the way, Nick Pinkerton’s writing is eclectic and delightfully strange because it follows an unhinged, chaotic and unpredictable path. You never know where it’s going and there’s some interesting detours in store. They range from unexpected to complete madness and it’s enthralling to watch unfold.
It feels very much of its own design, The Sweet East is one of those films where little details might remind you of other films, but its personality is distinctly individual. While cinema in itself is a handy escape from reality, Lillian’s (Talia Ryder) journey feels like one of the wildest possible ways to escape her own dull reality.
Sean Price Williams’ directorial style gives it an almost 1970s quality, there’s something nostalgic to it, especially paired with his lovingly yellow-tinged cinematography. It creates a lovingly indie feel and is impressively able to move through the everyday and the almost insane with ease.
It would be remiss at this point to not mention one of its other key strengths, which is its excellent casting. Talia Ryder is a brilliant mix of strong yet vapid, capable yet uncannily lucky, smart yet at times oblivious. That blend of qualities make her the perfect guide for this strange adventure and Ryder revels in it.
So then adding Simon Rex’s naivety and generosity, Ayo Edebiri’s quirky, over-familiarity and enthusiasm, Jeremy O. Harris’ sweetness and Jacob Elordi’s wonderfully sized ego, it’s a mad, terrific bunch of actors creating an ensemble overflowing with personality. Not forgetting Rish Shah who adds a touch of normality yet holds a certain mystery.
The Sweet East is a unique and truly bizarre adventure which might not be appreciated by everyone but for those open to its eclectic charms, it has some surprising and even shocking turns in store. The writing continuously has captivating layers and different relationships to offer, then by the time it reaches its finale, it has gone completely off the rails, in a very enjoyable way. There’s a fantastic cast, it has a superb aesthetic and it’s a highly memorable experience.
FilmCarnage.com 