Directed by leading actress ZhuZha Akova and written by Kat Cee and Corey Chavers, when a down on her luck and grieving young woman receives a business opportunity from a family friend, she has no idea that it will lead her to uncovering the mystery behind her father’s recent murder. Also starring: Adam Fried and Igor Grbesic.
The foundation to Klara’s Box is a solid one, to explore the idea of what mysteries the death of a loved one can unlock, the secrets and shocking truths. Then using that to open up a curious and potentially dangerous path for Klara (ZhuZha Akova), especially when she’s in a fairly desperate position and more susceptible. However, it feels as though the progression doesn’t make the most of that, it moves slowly and focuses on the atmosphere rather than the plot, which lets itself down.
Akova attempts to build this gritty, almost survival-esque atmosphere to enhance the risk and tension to the story and it works but only to a certain extent. The cinematography and timings hold it back, it’s bright and has a sunshine influenced colouring, which doesn’t match up with the tone it’s going for. There’s a plainness about its aesthetic, it has an edge to offer but it’s limited by that visual. Although there are some nicely done aerial shots added to the mix, which blend more smoothly.
Those factors contribute to how much ZhuZha Akova’s performance as Klara can bring to the table, which is a shame because she has plenty to offer. She creates a good balance between the vulnerability, struggle and Klara’s strength. She feels capable but exposed, which is a great basis for the story’s mystery and crime themes. Although unfortunately, her male counterparts don’t feel like they’re hitting that balance as well.
Klara’s Box feels like an introduction, there’s some solid elements at work but it’s not quite giving viewers enough for a satisfying stand alone experience. It doesn’t use its time well to progress the plot and can feel vague at times, not giving the story enough to fully establish itself. The cinematography can also feel quite plain, going for an everyday feel which doesn’t quite lean into the grittier, harsh environment that the story is going for. It has potential but needed to mix up the recipe a bit to live up to it.
Verdict: ✯✯✯ | 6/10
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