Written and directed by Sue Kramer, newly divorced, empty-nester Syd (Lisa Edelstein) navigates the world of online dating. Each date serves as a metaphor in reclaiming her life and empowerment. A deep lens into single-hood with Brownstone Brooklyn serving as the backdrop. Also starring: Richard Schiff, Bridget Moynahan, David Kelsey, Omari K. Chancellor, David Walton, Angela Wong Carbone and Justin Marcel McManus.
Jumping into Swipe NYC it builds the feel of one of those days where simply nothing goes right, where you can’t get a win and that’s a big part of its charm. It doesn’t shy away from the awkwardness, clumsiness or unglamorous nature of everyday life, and of course the dating world. It taps into a modern, easy-going, frank tone, which works mostly in its favour but there is the occasional offbeat moment that doesn’t entirely fit.
The story could perhaps use a little bit of speeding up or being shorter but it is really enjoyable nonetheless. It’s got a good beat to the editing and the way that it moves from scene to scene or from date to date. Its sexual edge isn’t always the most graceful, it’s entirely relevant to the story but could use a lighter touch, not quite finding its sensual side. It’s something that also clashes with the choice of music, it can come across as overtly sentimental which doesn’t fit well.
One of the great choices the story makes however is to use that classic character or a friendly bartender who’ll listen to all your troubles. Played by David Kelsey who brings a lot of charm, a sympathetic ear and just a really likeable presence. He has a fun banter and connection with leading lady Syd, and it’s a good contrast with the self-deprecating, slightly apathetic feel that Lisa Edelstein brings to the table. Edelstein is always entertaining, she has a nicely biting edge although it’s a shame that isn’t incorporated more into the story, it’s missing out on that bigger sharpness.
Swipe NYC dives into the messy world of middle-aged dating, led by an unsurprisingly enjoyable and sarcastic performance from Lisa Edelstein. It’s easy-going entertainment with a nice dose of awkwardness. The atmosphere can occasionally veer into the sentimental but it still captures that modern feel well and has a certain unfiltered quality that’s charming.

