Written and directed by Wesley Wang, a graduating high schooler navigates a world of seemingly inevitable chaos by finding order in the number 7. Starring: David Mazouz, Lily Chee, Eli D Goss, Jolie Curtsinger, Mark Quiles, Lia Mountis, Tom Moynahan and Roger Rathburn.

At first glance, nothing, except everything. dives right into that typical Netflix style teen content feel, it’s bouncy and hyperactive, and immediately breaks the fourth wall. It feels as though it’s hitting the usual modern style but interestingly as time goes on, it becomes an apt representation of how teenage minds are moulded in this age of tech and socials. It has a touch of ADHD, there’s the sporadic obsessions and the intense procrastination. As well as the usual anxiety and nervousness that comes with being a teenager.

However, most of all it feels like a good portrayal of how the current young generation are disillusioned or demotivated by what’s happening in the world. With such easy access to information, they’re swamped by wars, economic downturn, environmental damage and the list goes on, resulting in that feeling of ‘Okay, so then what’s the point?’. Watching the world slowly destroy itself isn’t exactly the most inspirational, it can leave you with the exasperation of feeling like there’s no way to move forward, no brighter future. That theme feels nicely reflected by the chaotic nature of film’s style and editing.

Yet at the same time nothing, except everything. is attempting to build a romantic story. The two different themes do work together but within the constraints of short film, they don’t have the space to enhance each other, rather fighting for the limelight. It’s a shame as there is a lovely chemistry between David Mazouz and Lily Chee. Mazouz brings the perfect blend of awkwardness, intelligence and confidence, relatable but individual. While Chee has a sarcastic edge, there’s a good dose of self-assuredness without being cocky, as well as being hugely supportive which is sweet to watch.

nothing, except everything. taps into what it means to be a teenager in today’s world with disillusionment and short attention spans. It feels as though there’s an undercurrent of a bigger, more poignant theme but it’s splitting time with the teen romance and can’t break into the forefront. It’s well shot with a lot of great energy and a good, not over the top, amount of sentimentality and nostalgia. It has plenty going for it but ultimately it feels distracted by taking on more than it had the time to explore.

Verdict: ✯✯✯½ | 7/10

Screening as part of Flickers’ Rhode Island International Film Festival 2023 on August 12